He works mostly on the human figure, and, in particular, the human face. This is the object of meticulous investigation and transformation for Duryagin, since his aim is to question post-human identity. All that is flesh goes through a kind of digital metamorphosis; it is erased, smoothed, and rendered to extreme precision. The finished portraits look very sculptural, non-human, surreal, inanimate, and in many cases, you can see a transparency of the porcelain skin underlining the fragility of every portrait…
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